Director Michael Bay makes no effort to put history in context in dramatizing the 2012 attack on the U.S. diplomatic compound in Benghazi; he treats it as a setting for rah-rah action.
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Director Michael Bay makes no effort to put history in context in dramatizing the 2012 attack on the U.S. diplomatic compound in Benghazi; he treats it as a setting for rah-rah action.
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